Master's Degree in Cinematography and
Cinematographic Cameras

Master in Direction
of Photography
and Chamber
Cinematographic

University-Specific Degree in Film

Duration
Two Academic Years
From October 2026 to June 2028
Home
October 2026
Opening hours
Mornings from 9am to 15pm
12 hours of classes + practical sessions + filming

Advanced training to master cinematic imagery and develop a unique perspective
This master's program offers comprehensive training in the creative and technical processes of cinematography and camera work. Throughout the program, you will learn to light, frame, and construct visual atmospheres with narrative intent, using professional equipment and techniques employed in the industry today. Through continuous practice, shoots, and guided projects, you will develop a strong visual sensibility and the skills necessary to lead the photography department in film and audiovisual productions.

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Open Enrollment Academic Year 2026/27
Reserve your place now and take advantage of the early bird discount

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Master in Cinematography

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She is part of the next generation of filmmakers

Find out what those who study this master's degree have in common

Passion, talent and worldview
We are looking for people with a strong passion for film and a love of cinema, eager to develop their voice as filmmakers. Our classrooms are home to students from all over the world, making the school a meeting point for cultures united by a common desire: the passion to make films.

Your starting point
You must have a prior degree or professional experience in the audiovisual sector. Typical candidates include graduates in Audiovisual Communication, Fine Arts, Art History, Journalism, or Philosophy, as well as professionals with practical experience in any area of ​​the sector.

Learning by doing
The master's program is geared towards experiential learning. All students film their Final Project at Red Epic and premiere it on the big screen. The program requires a significant commitment to classes, filming, and mentoring.

Degree in Cinematography, Directing and Screenwriting - Bandeapart

Curriculum

Frame, illuminate, transform

The Master's Degree in Cinematography and Camera Operation is a two-year program designed for those who feel the need to tell stories through light and visual composition. Here you will develop your unique vision as a cinematographer and camera operator, work with the best cameras on the market—Red One, Red Epic, and Alexa—and premiere your projects in cinemas and at specialized festivals.

Throughout the program, you will experience all roles in the photography and camera department and train in key industry career paths — camera operator, focus puller, gaffer, image technician — with direct access to active directors of photography who can open doors for you in the industry.
Two years to master light, framing and cinematic image, and make the leap to professional cinema.

Core Subjects

The art of directing the gaze. You'll master the advanced editing and directing techniques that transform good films into masterpieces. Every cut counts, every gesture matters.

From the Nouvelle Vague to digital cinema, you'll understand the cinematic revolutions that have defined modern cinema and how contemporary masters continue to redefine the rules.

Reality as raw material. Explore how great documentary filmmakers have captured truth and changed the world with their cameras, from Flaherty to today's creators.

When drawings come to life. Discover the evolution of animated art, from Disney's pioneers to the digital techniques that are revolutionizing visual storytelling.

You'll learn to decipher every creative decision made by great directors and apply that knowledge to your own work.

Specialty Subjects

Understand the technological principles, formats, and standards that define today's professional cinematographic image capture.

Professional cinematographic camera management. Master the operation, configuration, and operation of the most commonly used capture equipment in audiovisual productions.

Learn how to design a project's aesthetic proposal, from conceptualization to final color grading and filming.

Technical knowledge of film equipment. Master lenses, accessories, support systems, and specialized tools necessary for professional image capture.

Cinematographic lighting techniques. Use professional lighting equipment and learn to create lighting schemes that support the narrative and define the visual aesthetic.

Master color correction and color grading techniques to achieve the ultimate visual finish for your film projects.

Learn the quality control, backup, and file management processes that ensure technical integrity during production.

Develop the communication skills necessary to present film projects and gain support for your ideas as a director of photography.

Master the professional handling of cranes, Steadicams, dollies, and specialized equipment to execute complex camera movements.

Control professional lighting systems through the DM protocol, programming and synchronizing lighting equipment to create precise atmospheres and visual effects.

Explore other specialties

Master in
Direction and Screenplay

Learn to transform ideas into real movies.
Here you'll learn to write compelling stories, direct actors with confidence, and lead entire film shoots. From day one, you'll be creating your own projects, experimenting with narrative choices, and discovering your voice as a director. Every exercise, every scene, and every shoot will bring you closer to the film you want to make.

Master's Degree in Film Editing, Post-Production and Sound

It gives final shape to the stories from the editing room.
Here you'll learn to build rhythm, design sound, and master professional post-production workflows. You'll edit real projects from day one, honing your narrative sense and developing the sensitivity that transforms a collection of shots into a film with soul.

Master's Final Projects

Here you will find a selection of Master's theses that showcase the moment a filmmaker discovers their own voice. Stories born from the effort, vision, and evolution of each student.

Synopsis

Turn days into little things that you can play with with your hands. You can turn them into yellow, green, red and blue marbles. Exercise you tell the story of a normal person, like you and me. How he grows, laughs, cries,…..

Data

Script: Raúl Pérez, based on text by Jostein Gaarder
Director of photography: Victor Casasola
Art director: Verónica Durá / Estefanía Ten
Production Management: Bianca Rutigliano
Image Montage: Josep María Gifreu
Sound Editing: Xavi Saucedo
Actors: Jordi Diaz. Erich Rahn, Marc Mayolas.

Festivals

  • “Special Jury Mention” in Lanzarote Film Festival (2012)
  • “Special Jury Mention” in the MAGMA Brief Cinema Show (Italy) (2012)
  • “Best new director” in the Curtas Film Festival (Galicia) (2012)
  • “Best Art Direction” in the I International Festival of Clapperboard and Action Film Schools (Barcelona) (2011)
  • “Best Photography” at the I International Festival of Claqueta y Acción Film Schools (Barcelona) (2011)
  • “Best Screenplay” New Authorship section – SITGES International Fantastic and Horror Film Festival (Barcelona) (2011)
  • “Best Direction” in the Granada Short Film First Film Festival (Granada) (2011)
  • “Roll another Short” Barcelona Curtfictions Festival (2010)
  • “Best school short” – CAMPUS Section of the Subtravelling MTB Festival (2010)

Synopsis

The day Laura is to play her first tennis match she thinks she sees her father, the famous Swedish tennis player Björn Borg, in the audience. It's all a lie from her grandmother that her mother consents to. Now Laura will have to prove that she is a Borg.

Data

Script: Eli Rodriguez
Director of photography: Miguel G. Orive / Esteban Heredia
Art director: María Fernanda Enciso / Jorge Carrascosa
Production Management: Bianca Rutigliano / Uriel Wisnia
Image Montage: Eva Torres
Sound Editing: Xavi Saucedo / Josep María Gifreu
Actors: Laura Zafra, Conchi Almeda, Paqui Ortega, Xavi Villena, Xavier Luís

Festivals

  • "Film students" section of the 11th Pune International Film Festival (India) (2013)
  • Short Screening Festival (Mexico) (2013)
  • III Short Film Market Meeting – V Edition of the B Film Festival (Chile) (2013)
  • Zoom, European Film Festival for Television in Igualada (Barcelona) (2013)
  • V International Short Film Festival SHORTS CORTI AND CIGARETTES from Rome (Italy) (2012)
  • Short film exhibition Montjüic Room – 10th anniversary (Barcelona) (2012)
  • MÈDIT Festival Menorca Mediterranean Cinema Festival (Menorca) (2012)
  • Milwaukee Film Festival (USA) (2012)
  • Short Film Market INTERNATIONAL IZMIR SHORT FILM FESTIVAL (Türkiye) (2012)
  • Nantes Spanish Film Festival (France) (2012)
  • Sehsüchte 41st International Studentfilm Festival of the HFF Konrad Wolf (Germany) (2012)
  • Festival CURTFICTIONS (Barcelona) (2012)
  • Preselection Gaudi 2012 (Barcelona) (2012)
  • Festival Subtraveling MTB Campus section (Barcelona) (2011)
  • Festival "FILMETS” from Badalona (Barcelona) (2011)
  • ABYCINE Albacete International Film Festival (Albacete) (2011)

Synopsis

In the bowels of the Vicente Calderón stadium, there is a crypt full of niches so that the red and white members can deposit the ashes of your loved ones. The stadium will be demolished and Vicente He will fight unspeakably to have the columbarium moved to the new Olympic Stadium.

Data

Script: Nacho Casado
Director of photography: Susana Sanz
Art director: María Susana Pérez
Production Management: Uriel Wisnia
Image Montage: Aleix Mestres
Sound Editing: Aina Bricollé
Actors: Cesáreo Estébanez, Auri Nsúe, Kiti Manver, Juanma Navas, Raúl Sáez.

Festivals

  • Best Short Film Euro Film Festival Fiction (2015)
  • Best Young Director CORTEN Festival in the city of Calahorra (2015)
  • Award for best edition in the FIDEC (2015)
  • 13th International Football Film Festival Berlin (Berlin) (2016)

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